Ivor Brown, reviewing the play in the Decemissue of The Observer said, 'Barbara Mullen is excellent as that sharp-eyed Prodnose Miss Marple, along with that of Reginald Tate as the questionable painter and of Jack Lambert as the nice, dull, dutiful vicar, gives West End quality to a production otherwise on a less exalted level. Despite these comments, the actors and the direction were both praised. The unnamed reviewer complained of the 'walking ciphers of the vicarage' and 'the rather thin theatrical excitement of first one, then another confession, both of which possibly cancel each other'. It is not until the final scene - the pressure of events then forcing two of the characters into melodramatic life - that we become aware that there was, after all, an effective one-act play in Miss Christie's novel'. Nobody, unhappily, has any good stage reason for living. In its issue of December 15, 1949, The Times gave an unenthusiastic review which began, 'Everyone has a motive for killing. The play enjoyed a run of 126 performances, closing on April 1, 1950. The director was Reginald Tate who also played the part of Lawrence Redding. The play was the first time that the character of Miss Marple had been depicted outside the original books and she was portrayed by Barbara Mullen. It was first performed at the New Theatre, Northampton on Octoprior to moving to the Playhouse Theatre in the West End where it opened on December 16, 1949.

Whatever the truth of the authorship, Christie was enthusiastic about the play and attended its rehearsals and first night. Christie's official biography suggests that the play was written by Christie with changes then made by Charles and Toy, presumably enough for them to claim the credit. Murder at the Vicarage is a 1949 play by Moie Charles and Barbara Toy based on the 1930 novel of the same name by Agatha Christie.

Agatha christie vicarage